Saturday, 7 April 2012

Thursday, 22 March 2012




Karate was developed in the Ryukyu Kingdom prior to its 19th-century annexation by Japan. It was brought to the Japanese mainland in the early 20th century during a time of cultural exchanges between the Japanese and the Ryukyuans. In 1922 the Japanese Ministry of Education invited Gichin Funakoshi to Tokyo to give a karate demonstration. In 1924 Keio University established the first university karate club in Japan and by 1932, major Japanese universities had karate clubs.[4] In this era of escalating Japanese militarism,[5] the name was changed from 唐手 ("Chinese hand" or "Tang hand" verbatim, as the name of the Tang dynasty was a synonym to China in Okinawa) to 空手 ("empty hand") – both of which are pronounced karate – to indicate that the Japanese wished to develop the combat form in Japanese style.[6] After the Second World War, Okinawa became an important United States military site and karate became popular among servicemen stationed there.[7]
The martial arts movies of the 1960s and 1970s served to greatly increase its popularity and the word karate began to be used in a generic way to refer to all striking-based Oriental martial arts.[8] Karate schools began appearing across the world, catering to those with casual interest as well as those seeking a deeper study of the art.

Tuesday, 20 March 2012

Buddhism

Dynamic tranquility: the Buddha in contemplation.
Buddhist meditation refers to the meditative practices associated with the philosophy of Buddhism. Core meditation techniques have been preserved in ancient Buddhist texts and have proliferated and diversified through teacher-student transmissions. Buddhists pursue meditation as part of the path toward Enlightenment and Nirvana.[76] The closest words for meditation in the classical languages of Buddhism are bhāvanā[77] and jhāna/dhyāna.[78]
Buddhist meditation techniques have become increasingly popular in the wider world, with many non-Buddhists taking them up for a variety of reasons. There is considerable homogeneity across meditative practices — such as breath meditation and various recollections (anussati) — that are used across Buddhist schools, as well as significant diversity. In the Theravāda tradition alone, there are over fifty methods for developing mindfulness and forty for developing concentration, while in the Tibetan tradition there are thousands of visualization meditations.[79] Most classical and contemporary Buddhist meditation guides are school-specific.[80]
The Buddha is said to have identified two paramount mental qualities that arise from wholesome meditative practice:
  • "serenity" or "tranquillity" (Pali: samatha) which steadies, composes, unifies and concentrates the mind;
  • "insight" (Pali: vipassana) which enables one to see, explore and discern "formations" (conditioned phenomena based on the five aggregates).[81]
Through the meditative development of serenity, one is able to suppress obscuring hindrances; and, with the suppression of the hindrances, it is through the meditative development of insight that one gains liberating wisdom.[82]

Sunday, 11 March 2012

Martial arts
Martial arts are extensive systems of codified practices and traditions of combat that are practiced for a variety of reasons, including self-defense, competition, physical health and fitness, as well as mental, physical and spiritual development. The term martial art has become heavily associated with the fighting arts of eastern Asia, but was originally used in regard to the combat systems of Europe as early as the 1550s. An English fencing manual of 1639 used the term in reference specifically to the "Science and Art" of swordplay. The term is ultimately derived from Latin, martial arts being the "Arts of Mars," the Roman god of war.[1] Some martial arts are considered 'traditional' and tied to an ethnic, cultural or religious background, while others are modern systems developed either by a founder or an association.
Martial arts may be categorized along a variety of criteria, including:

By technical focus

Unarmed
Unarmed martial arts can be broadly grouped into focusing on strikes, and those focusing on grappling, and in addition those combining these two fields, usually described as "hybrid".
Strikes
Grappling
Weapon-based
Those traditional martial arts which train armed combat often encompass a wide spectrum of melee weapons, including bladed weapons and polearms. Such traditions include eskrima, silat, Kalarippayattu, kobudo, and historical European martial arts, especially those of the German Renaissance. Many forms of Chinese martial arts also feature weapons as part of their curriculum.
Sometimes, training with one specific weapon will be considered a style of martial arts in its own right. This is especially the case in Japanese martial arts with disciplines such as kenjutsu and kendo (sword), bojutsu (staff), and kyudo (archery). Similarly, modern Western martial arts and sports include modern fencing, stick-fighting systems like canne de combat or singlestick, and modern competitive archery.

By application or intent

Combat-oriented
Many martial arts, especially those from Asia, also teach side disciplines which pertain to medicinal practices. This is particularly prevalent in traditional Indian martial arts which may teach bone-setting, and other aspects of traditional Indian medicine.[2]
Martial arts can also be linked with religion and spirituality. Numerous systems are reputed to have been founded, disseminated, or practiced by monks or nuns.
For example, gatka is a weapon-based Indian martial art created by the Sikhs of the Punjab region of India and the Kshatriya caste of Hindus have another ancient martial art named Shastra vidhya.
Japanese styles, when concerning non-physical qualities of the combat, are strongly influenced by Zen philosophy. Concepts like "empty mind" and "beginner's mind" are recurrent. Aikido, for instance, has a strong philosophical belief of the flow of energy and peace fostering, as idealised by its founder Morihei Ueshiba.
Systema draws upon breathing and relaxation techniques, as well as elements of Russian Orthodox thought, to foster self-conscience and calmness, and to benefit the practitioner in different levels: the physical, the psychological and the spiritual.[3]
Some martial arts in various cultures can be performed in dance-like settings for various reasons, such as for evoking ferocity in preparation for battle or showing off skill in a more stylized manner. Many such martial arts incorporate music, especially strong percussive rhythms. (See also war dance.)

 History

Historical martial arts

While evidence show that martial arts have roots in prehistory, the earliest evidence of systematic training in specific martial arts traditions emerges in antiquity (late 1st millennium BC) in both Asia and Europe.
The foundation of modern Asian martial arts is likely a blend of early Chinese and Indian martial arts. During the Warring States period of Chinese history (480-221 BC) extensive development in martial philosophy and strategy emerged, as described by Sun Tzu in The Art of War (c. 350 BC).[4] Legendary accounts link the origin of Shaolinquan to the spread of Buddhism from India during the early 5th century AD, with the figure of Bodhidharma, to China.[5]
Boxing was practiced in the ancient Mediterranean.
In Europe, the earliest sources of martial arts traditions date to Classical Antiquity. Boxing (pygme, pyx), Wrestling (pale) and Pankration were represented in the Ancient Olympic Games. The Romans produced gladiatorial combat as a public spectacle.
Systema has its roots in the combat skills of the medieval Russian warriors
During the Middle Ages, the development of the cossacks as self-governing warrior communities in the current region of Ukraine and Southern Russia resulted in an accumulation of fighting skills passed through generations. Due to a wide variety of climate and enemies, these people developed versatile and fast-learning martial habilities, which are considered to be the roots of systema.[6][7]
A number of historical combat manuals have survived from the European Middle Ages. This includes such styles as sword and shield, two-handed swordfighting and other types of melee weapons besides unarmed combat. The most famous of these is Johannes Lichtenauer's Fechtbuch (Fencing book) of the 14th century, which today forms the basis of the German school of swordsmanship. Likewise, Asian martial arts become well-documented during the medieval period, Japanese martial arts beginning with the establishment of the samurai nobility in the 12th century, Chinese martial arts with Ming era treatises such as Ji Xiao Xin Shu, Indian martial arts in medieval texts such as the Agni Purana and the Malla Purana, and Korean martial arts with Joseon era texts such as Muyejebo (1598). "Historical martial arts" in both Asia and Europe are mostly based on such records of the late medieval to early modern period (15th to 17th centuries; see also Koryū).
European swordsmanship was trained for duels until the Napoleonic era, and developed into sport fencing during the 19th century. Modern boxing originates with Jack Broughton's rules in the 18th century, and reaches its present form with the Marquess of Queensberry Rules of 1867. Europe's colonization of Asian countries also brought about a decline in local martial arts, especially with the introduction of firearms. This can clearly be seen in India after the full establishment of British Raj in the 19th century.[8] Similar phenomena occurred in Southeast Asian colonies such as Malaysia, Indonesia, Vietnam and the Philippines.

Folk styles

All over the world, there are traditional styles of folk wrestling, and in some cases also stick fighting, rooted in local culture and folklore. In East and Southeast Asia, these are forms such as Korean, Khmer or Mongolian wrestling and Japanese Sumo, in South and Southwest Asia Indo-Persian Pehlwani, in Central and Western Asia Turkic (Uzbek, Tatar) styles; in Europe, there are Icelandic, Swiss and various English wrestling traditions. African folk wrestling includes the West African style of Lutte Traditionnelle.
While these arts are based on historical traditions of folklore, they are not "historical" in the sense that they reconstruct or preserve a historical system from a specific era. They are rather contemporary regional sports that coexist with the modern forms of martial arts sports as they have developed since the 19th century, often including cross-fertilization between sports and folk styles; thus, the traditional Thai style of Muay Boran developed into the modern national sport of Muay Thai, which in turn came to be practiced worldwide and contributed significantly to modern hybrid styles like kickboxing and mixed martial arts.

 Modern history

late 19th to early 20th century
The mid to late 19th century marks the beginning of the history of martial arts as modern sports developed out of earlier traditional fighting systems. In Europe, this concerns the developments of boxing and fencing as sports. In Japan, the same period marks the formation of the modern forms of judo, jujitsu, karate, and kendo (among others) based on revivals of old schools of Edo period martial arts which had been suppressed during the Meiji Restoration.[citation needed] Modern Muay Thai rules date to the 1920s. In China, the modern history of martial arts begins in the Nanjing decade (1930s) following the foundation of the Central Guoshu Institute in 1928 under the Kuomintang government.
Western interest in Asian martial arts arises towards the end of the 19th century, due to the increase in trade between the United States with China and Japan.[citation needed] Relatively few Westerners actually practiced the arts, considering it to be mere performance. Edward William Barton-Wright, a railway engineer who had studied jujitsu while working in Japan between 1894–97, was the first man known to have taught Asian martial arts in Europe. He also founded an eclectic style named Bartitsu which combined jujutsu, judo, boxing, savate and stick fighting.
Fencing and Greco-Roman wrestling was included in the 1896 Summer Olympics. FILA Wrestling World Championships and Boxing at the Summer Olympics were introduced in 1904. The tradition of awarding championship belts in wrestling and boxing can be traced to the Lonsdale Belt, introduced in 1909.
20th century (1914 to 1989)
The International Boxing Association was established in 1920. World Fencing Championships have been held since 1921.
Brazilian Jiu-Jitsu, or Gracie Jiu-Jitsu, is an adaptation of pre–World War II judo developed by the brothers Carlos and Hélio Gracie, who restructured the art into a sport with a large focus on groundwork. Jiu-Jitsu gained fame quickly in Brazil because of the popular fights with Capoeira fighters.[9]
As Western influence grew in Asia a greater number of military personnel spent time in China, Japan, and South Korea during World War II and the Korean War and were exposed to local fighting styles. Jujutsu, judo and karate first became popular among the mainstream from the 1950s-60s. Due in part to Asian and Hollywood martial arts movies, most modern American martial arts are either Asian-derived or Asian influenced.[10] The term kickboxing (キックボクシング) was created by the Japanese boxing promoter Osamu Noguchi for a variant of Muay Thai and Karate that he created in the 1950s. American kickboxing was developed in the 1970s, as a combination of boxing and karate. Taekwondo was developed in the context of the Korean War in the 1950s.
The later 1960s and 1970s witnessed an increased media interest in the Chinese fighting systems, influenced by martial artist and Hollywood actor Bruce Lee. Jeet Kune Do, the system he founded, has its roots in Wing Chun, western boxing, savate and fencing. Bruce Lee is credited as one of the first instructors to openly teach Chinese martial arts to Westerners.[11] World Judo Championships have been held since 1956, Judo at the Summer Olympics was introduced in 1964. Karate World Championships were introduced in 1970.
Following the "kung fu wave" in Hong Kong action cinema in the 1970s, a number of mainstream films produced during the 1980s contributed significantly to the perception of martial arts in western popular culture. These include The Karate Kid (1984) and Bloodsport (1988). This era produced some Hollywood action stars with martial arts background, such as Jean-Claude Van Damme and Chuck Norris.
Also during the 20th century, a number of martial arts systems were adapted for self-defense purposes for military hand-to-hand combat. World War II combatives, Kapap (1930s) and Krav Maga (1950s) in Israel, Systema (Soviet era Russia), San Shou (People's Republic of China). The US military de-emphasized hand-to-hand combat training during the Cold War period, but revived it with the introduction of LINE in 1989.
1990 to present
During the 1990s Brazilian Jiu-Jitsu became popular and proved to be effective in mixed martial arts competitions such as the UFC and PRIDE.[12]
The K-1 rules of kickboxing were introduced in 1993, based on 1980s Seidokaikan karate.
Jackie Chan and Jet Li are prominent movie figures who have been responsible for promoting Chinese martial arts in recent years.
With the continual discovery of "new" Medieval and Renaissance fighting manuals, the practice of Historical European Martial Arts and other Western Martial Arts are growing in popularity across the United States and Europe.

Testing and competition

Testing or evaluation is important to martial art practitioners of many disciplines who wish to determine their progression or own level of skill in specific contexts. Students within individual martial art systems often undergo periodic testing and grading by their own teacher in order to advance to a higher level of recognized achievement, such as a different belt color or title. The type of testing used varies from system to system but may include forms or sparring.
Steven Ho executing a Jump Spin Hook Kick
Various forms and sparring are commonly used in martial art exhibitions and tournaments. Some competitions pit practitioners of different disciplines against each other using a common set of rules, these are referred to as mixed martial arts competitions. Rules for sparring vary between art and organization but can generally be divided into light-contact, medium-contact, and full-contact variants, reflecting the amount of force that should be used on an opponent.

 Light- and medium-contact

These types of sparring restrict the amount of force that may be used to hit an opponent, in the case of light sparring this is usual to 'touch' contact, e.g. a punch should be 'pulled' as soon as or before contact is made. In medium-contact (sometimes referred to as semi-contact) the punch would not be 'pulled' but not hit with full force. As the amount of force used is restricted, the aim of these types of sparring is not to knock out an opponent; a point system is used in competitions.
A referee acts to monitor for fouls and to control the match, while judges mark down scores, as in boxing. Particular targets may be prohibited , certain techniques may be forbidden (such as headbutting or groin hits), and fighters may be required to wear protective equipment on their head, hands, chest, groin, shins or feet. In grappling arts aikido uses a similar method of compliant training that is equivalent to light or medium contact.
In some styles (such as fencing and some styles of Taekwondo sparring), competitors score points based on the landing of a single technique or strike as judged by the referee, whereupon the referee will briefly stop the match, award a point, then restart the match. Alternatively, sparring may continue with the point noted by the judges. Some critics of point sparring feel that this method of training teaches habits that result in lower combat effectiveness. Lighter-contact sparring may be used exclusively, for children or in other situations when heavy contact would be inappropriate (such as beginners), medium-contact sparring is often used as training for full contact

 Full-contact

Full-contact sparring or competition, where strikes are not pulled but thrown with full force as the name implies, has a number of tactical differences from light and medium-contact sparring. It is considered by some to be requisite in learning realistic unarmed combat.[13]
In full-contact sparring, the aim of a competitive match is either to knock out the opponent or to force the opponent to submit. Where scoring takes place it may be a subsidiary measure, only used if no clear winner has been established by other means; in some competitions, such as the UFC 1, there was no scoring, though most now use some form of judging as a backup.[14] Due to these factors, full-contact matches tend to be more aggressive in character, but rule sets may still mandate the use of protective equipment, or limit the techniques allowed.
Nearly all mixed martial arts organizations such as UFC, Pancrase, Shooto use a form of full-contact rules, as do professional boxing organizations and K-1. Kyokushin karate requires advanced practitioners to engage in bare-knuckled, full-contact sparring while wearing only a karate gi and groin protector but does not allow punches to the face, only kicks and knees. Brazilian Jiu-Jitsu and judo matches do not allow striking, but are full-contact in the sense that full force is applied in the permitted grappling and submission techniques.

 Martial Sport

Several martial arts, such as Judo, are Olympic sports.
Martial arts have crossed over into sports when forms of sparring become competitive, becoming a sport in its own right that is dissociated from the original combative origin, such as with western fencing. The Summer Olympic Games includes JuDo, TaeKwonDo, western archery, boxing, javelin, wrestling and fencing as events, while Chinese Wushu recently failed in its bid to be included, but is still actively performed in tournaments across the world. Practitioners in some arts such as kickboxing and Brazilian Jiu-Jitsu often train for sport matches, whereas those in other arts such as aikido and Wing Chun generally spurn such competitions. Also, weichi ryu was the first type of martial arts that would train continuously as a full contact school while others would train light and would sparr full contact. Some schools believe that competition breeds better and more efficient practitioners, and gives a sense of good sportsmanship. Others believe that the rules under which competition takes place have diminished the combat effectiveness of martial arts or encourage a kind of practice which focuses on winning trophies rather than a focus such as cultivating a particular moral character.
The question of "which is the best Martial Art" has led to new forms of competition; the original Ultimate Fighting Championship in the U.S. was fought under very few rules allowing all fighting styles to enter and be less limited by the rule set. This has now become one of many combat "sports" known as mixed Martial Arts (MMA). Similar competitions such as Pancrase, DREAM, and Shooto have also taken place in Japan.
Some martial artists compete in non-sparring competitions such as breaking or choreographed routines of techniques such as poomse, kata and aka, or modern variations of the martial arts which include dance-influenced competitions such as tricking. Martial traditions have been influenced by governments to become more sport-like for political purposes; the central impetus for the attempt by the People's Republic of China in transforming Chinese martial arts into the committee-regulated sport of wushu was suppressing what they saw as the potentially subversive aspects of martial training, especially under the traditional system of family lineages.[15]

 Health and fitness benefits

Training in martial arts imparts many benefits to the trainee, physical, mental, emotional and spiritual.[16]
Through systematic practice in the martial arts a person's physical fitness may be boosted (strength, stamina, flexibility, movement coordination, etc.,)[citation needed] as the whole body is exercised and the entire muscular system is activated. Beyond contributing to physical fitness, martial arts training also has benefits for mental health, contributing to self-esteem, self-control, emotional and spiritual well-being. For this reason, a number of martial arts schools have focused purely on therapeutic aspects, de-emphasizing the historical aspect of self-defense or combat completely.[citation needed]
According to Bruce Lee, martial arts also have the nature of an art, since there is emotional communication and complete emotional expression.[citation needed]

 Self-defense, military and law enforcement applications

U.S. Army Combatives instructor Matt Larsen demonstrates a chokehold.
Some traditional martial concepts have seen new use within modern military training. Perhaps the most recent example of this is point shooting which relies on muscle memory to more effectively utilize a firearm in a variety of awkward situations, much the way an iaidoka would master movements with their sword.
During the World War II era William E. Fairbairn and Eric A. Sykes were recruited by the Special Operations Executive (SOE) to teach their martial art of defendu (itself drawing on jujutsu and Western boxing) and pistol shooting to UK, US, and Canadian special forces. The book Kill or Get Killed, written by Colonel Rex Applegate, was based on the defendu taught by Sykes and Fairbairn. Both Fairbairn's Get Tough and Appelgate's Kill or Get Killed became classic works on hand-to-hand combat.
Traditional hand-to-hand, knife, and spear techniques continue to see use in the composite systems developed for today's wars. Examples of this include European Unifight, the US Army's Combatives system developed by Matt Larsen, the Israeli army's kapap and Krav Maga, and the US Marine Corps's Marine Corps Martial Arts Program (MCMAP).
Unarmed dagger defenses identical to those found in the manual of Fiore dei Liberi and the Codex Wallerstein were integrated into the U.S. Army's training manuals in 1942[17] and continue to influence today's systems along with other traditional systems such as eskrima and silat.
The rifle-mounted bayonet, which has its origin in the spear, has seen use by the United States Army, the United States Marine Corps, and the British Army as recently as the Iraq War.[18]

 Martial arts industry

Martial arts since the 1970s has become a significant industry, a subset of the wider sport industry (including cinema and sports television).
Hundreds of millions of people worldwide practice some form of martial art. Web Japan (sponsored by the Japanese Ministry of Foreign Affairs) claims there are 50 million karate practitioners worldwide.[19] The South Korean government in 2009 published an estimate that Taekwondo is practiced by 70 million people in 190 countries.[20]
The wholesale value of martial arts related sporting equipment shipped in the United States was estimated at 314 million USD in 2007; participation in the same year was estimated at 6.9 million (ages 6 or older, 2% of US population).[21] R. A. Court, CEO of Martial Arts Channel, stated the total revenue of the US martial arts industry at USD 40 billion and the number of US practitioners at 30 million in 2003.[22] Ultimate Fighting Championship generated a revenue of about USD 250 million in 2008, about 90% of the entire Mixed Martial Arts industry. World Wrestling Entertainment had a revenue of USD 1.4 billion.[23]
Asian martial arts experienced a surge of popularity in the west during the 1970s, and the rising demand resulted in numerous low quality or fraudulent schools. Fueled by fictional depictions in martial arts movies, this led to the "ninja craze" of the 1980s United States.[24] The rank system introduced for judo in the 1880s proved commercially viable, and "colored belt" systems were adopted in many martial arts degree mills (also known as "McDojos"; parodied in Penn & Teller: Bullshit! episode "Martial Arts", June 2010).

Wednesday, 7 March 2012

Endurance
Endurance (also called Sufferance, Stamina, Resilience, or Durability) is the ability for a human or animal to exert itself and remain active for a long period of time, as well as its ability to resist, withstand, recover from, and have immunity to trauma, wounds, or fatigue. In humans, it is usually used in aerobic or anaerobic exercise. The definition of 'long' varies according to the type of exertion - minutes for high intensity anaerobic exercise, hours or days for low intensity aerobic exercise. Training for endurance can have a negative impact on the ability to exert strength[1] unless an individual also undertakes resistance training to counteract this effect.


Tuesday, 6 March 2012

Main article: History of meditation

Man Meditating in a Garden Setting

The history of meditation is intimately bound up with the religious context within which it was practiced.[20] Even in prehistoric times civilizations used repetitive, rhythmic chants and offerings to appease the gods.[21] Some authors have even suggested the hypothesis that the emergence of the capacity for focused attention, an element of many methods of meditation,[22] may have contributed to the final phases of human biological evolution.[23] Some of the earliest references to meditation are found in the Bible, dating around 1400 BCE,[24][25] and in the Hindu Vedas from around the 15th century BCE.[20] Around the 6th to 5th centuries BCE, other forms of meditation developed in Taoist China and Buddhist India.[20]

In the west, by 20BCE Philo of Alexandria had written on some form of "spiritual exercises" involving attention (prosoche) and concentration[26] and by the 3rd century Plotinus had developed meditative techniques.

The Pāli Canon, which dates to 1st century BCE considers Indian Buddhist meditation as a step towards salvation.[27] By the time Buddhism was spreading in China, the Vimalakirti Sutra which dates to 100CE included a number of passages on meditation, clearly pointing to Zen.[28] The Silk Road transmission of Buddhism introduced meditation to other oriental countries, and in 653 the first meditation hall was opened in Japan.[29] Returning from China around 1227, Dōgen wrote the instructions for Zazen.[30][31]

The Islamic practice of Dhikr had involved the repetition of the 99 Names of God since the 8th or 9th century.[32][33] By the 12th century, the practice of Sufism included specific meditative techniques, and its followers practiced breathing controls and the repetition of holy words.[34] Interactions with Indians or the Sufis may have influenced the Eastern Christian meditation approach to hesychasm, but this can not be proved.[35][36] Between the 10th and 14th centuries, hesychasm was developed, particularly on Mount Athos in Greece, and involves the repetition of the Jesus prayer.[37]

Western Christian meditation contrasts with most other approaches in that it does not involve the repetition of any phrase or action and requires no specific posture. Western Christian meditation progressed from the 6th century practice of Bible reading among Benedictine monks called Lectio Divina, i.e. divine reading. Its four formal steps as a "ladder" were defined by the monk Guigo II in the 12th century with the Latin terms lectio, meditatio, oratio, and contemplatio (i.e. read, ponder, pray, contemplate). Western Christian meditation was further developed by saints such as Ignatius of Loyola and Teresa of Avila in the 16th century.[38][39][40][41]

By the 18th century, the study of Buddhism in the West was a topic for intellectuals. The philosopher Schopenhauer discussed it,[42] and Voltaire asked for toleration towards Buddhists.[43] The first English translation of the Tibetan Book of the Dead was published in 1927.[44]

Secular forms of meditation were introduced in India in the 1950s as a Westernized form of Hindu meditative techniques and arrived in the United States and Europe in the 1960s. Rather than focusing on spiritual growth, secular meditation emphasizes stress reduction, relaxation and self improvement.[45][46] Both spiritual and secular forms of meditation have been subjects of scientific analyses. Research on meditation began in 1931, with scientific research increasing dramatically during the 1970s and 1980s.[47] Since the beginning of the '70s more than a thousand studies of meditation in English-language have been reported.[47] However, after 60 years of scientific study, the exact mechanism at work in meditation remains unclear.[9]
Inner peace
Inner peace (or peace of mind) refers to a state of being mentally and spiritually at peace, with enough knowledge and understanding to keep oneself strong in the face of discord or stress. Being "at peace" is considered by many to be healthy (homeostasis) and the opposite of being stressed or anxious. Peace of mind is generally associated with bliss, happiness and contentment.

Peace of mind, serenity, and calmness are descriptions of a disposition free from the effects of stress. In some cultures, inner peace is considered a state of consciousness or enlightenment that may be cultivated by various forms of training, such as prayer, meditation, T'ai Chi Ch'uan or yoga, for example. Many spiritual practices refer to this peace as an experience of knowing oneself. Finding inner peace is often associated with traditions such as Buddhism and Hinduism.

Tenzin Gyatso, the 14th Dalai Lama, emphasizes the importance of inner peace in the world:

The question of real, lasting world peace concerns human beings, so basic human feelings are also at its roots. Through inner peace, genuine world peace can be achieved. In this the importance of individual responsibility is quite clear; an atmosphere of peace must first be created within ourselves, then gradually expanded to include our families, our communities, and ultimately the whole planet.[1]
Bruce Lee (born Lee Jun-fan; 27 November 1940 – 20 July 1973) was a Chinese American,[3] Hong Kong actor,[4] martial arts instructor,[5] philosopher, film director, film producer, screenwriter, and founder of the Jeet Kune Do martial arts movement. He is widely considered by many commentators, critics, media and other martial artists to be the most influential martial artist of the 20th century, and a cultural icon.[6][7][8]

Lee was born in San Francisco to parents of Hong Kong heritage but was raised in Hong Kong until his late teens. Lee emigrated to the United States at the age of 18 to claim his U.S. citizenship and receive his higher education.[9] It was during this time that he began teaching martial arts, which soon led to film and television roles.

His Hong Kong and Hollywood-produced films elevated the traditional Hong Kong martial arts film to a new level of popularity and acclaim, and sparked a major surge of interest in Chinese martial arts in the West in the 1970s. The direction and tone of his films changed and influenced martial arts and martial arts films in Hong Kong and the rest of the world, as well.[10] He is noted for his roles in five feature-length films: Lo Wei's The Big Boss (1971) and Fist of Fury (1972); Way of the Dragon (1972), directed and written by Lee; Warner Brothers' Enter the Dragon (1973), directed by Robert Clouse; and The Game of Death (1978), directed by Robert Clouse.[11]

Lee became an iconic figure known throughout the world, particularly among the Chinese, as he portrayed Chinese nationalism in his films.[12] He initially trained in Wing Chun, but he later rejected well-defined martial art styles, favouring instead to use techniques from various sources in the spirit of his personal martial arts philosophy, which he dubbed Jeet Kune Do (The Way of the Intercepting Fist).
Yáng Xuànzhī (Yang Hsüan-chih) - The Record of the Buddhist Monasteries of Luoyang

A Dehua ware porcelain statuette of Bodhidharma, from the late Ming Dynasty, 17th century

The earliest text on Bodhidharma, is a contemporary account by Yáng Xuànzhī (Yang-Hsuan-chih 楊衒之), a writer and translator of Mahāyāna Buddhist texts into the Chinese language. He compiled in 547 The Record of the Buddhist Monasteries of Luoyang (洛陽伽藍記 Luòyáng Qiélánjì), was compiled in by Yáng Xuànzhī. He gives the following account:

"At that time there was a monk of the Western Region named Bodhidharma, a Persian Central Asian. He traveled from the wild borderlands to China. Seeing the golden disks [on the pole on top of Yǒngníng's stupa] reflecting in the sun, the rays of light illuminating the surface of the clouds, the jewel-bells on the stupa blowing in the wind, the echoes reverberating beyond the heavens, he sang its praises. He exclaimed: "Truly this is the work of spirits." He said: "I am 150 years old, and I have passed through numerous countries. There is virtually no country I have not visited. Even the distant Buddha-realms lack this." He chanted homage and placed his palms together in salutation for days on end."[7]

Dumoulin gives another translation of the same text:

"In those days there was a Sramana Bodhidharma from the western regions, originally a man from Persia. He came from rugged countries and was staying in the Middle Land. When he beheld how the golden dome sparkled in the sun, how its light reflected upon the surface of the clouds, how the precious bell housed the wind within itself, and how its voice rang beyond the heavens, he sang a hymn of praise: "Truly how wonderful it all is!". He said that he was 150 years old and had travelled all countries and had visited all regions, but that nothing in Jambudvipa was comparable with the beauty of this temple, that is surpassed all others, and that there was nothing like it anywhere. With hands clasped, he daily invoked devotedly the name of Buddha.